E. Ingraham & Co., Bristol, Conn. The Venetian No. 3 with Mosaic front. 223322.
This domed top mantel clock was known as the Venetian No. 3 by the Ingraham Clock Company. It was one of their more popular models. To such an extent that they offered it in five case sizes, ranging from 9 inches to 20 inches tall. The No. 3 is the middle size, having a case measuring 15.5 inches tall. This is a special example with a mosaic front; it stands out with its striped pattern of alternating light and dark wood veneers along the forward-facing, rounded edge of the case. The mosaic pattern makes this example stand out. The sides of the case and the base moldings are veneered in rosewood.
The access door is an Ingraham design, for which Elias received a patent, having a circle over a circle divided by two turned buttons. The lower section features a decorated tablet. The purple painted border frames the image of a grand fountain. This image is in gilt. The upper section of the door is fitted with clear glass that protects the dial.
The paper dial, in excellent original condition, is applied to a tin pan. The open moon-style hands depict the time set on a closed minute ring, and Roman-style hour numerals are used. This clock is not just a piece of history, but also a well-maintained and functional timepiece.
The brass movement, pictured here before servicing, is wound with a key. When the two springs are fully wound, it will run for eight days and strike each hour on a coil gong mounted inside the case. A count wheel actuates the striking.
The Clockmaker's "Mosaic Front" designated label is applied to the backboard inside the case. This original label is in good overall condition.
This clock, a testament to the craftsmanship of its time, was made circa 1875. It carries with it the history and elegance of the Victorian era, making it a valuable addition to any collection.
Inventory number 223322.
Elias Ingraham was born in Marlborough, Connecticut, on October 1, 1805. He worked as a cabinetmaking apprentice for five years in Glastonbury. In 1825, he purchased his freedom and began working as a journeyman for Daniel Dewy of Hartford. In 1828, Solomon Hinman convinced him to move to Bristol and to make clock cases for George Mitchell. It is here that Ingraham designed and constructed the “Transitional” shelf clock form. Ingraham soon moves on and works for several other clock and furniture ventures. After numerous ventures, he formed the Elias Ingraham & Company in 1857 and was granted the first two patents in case design. The first was for the “Arch Column case, and the second was for the door design found in this example, having two circular doors separated by decorative rosettes. This design became extremely popular, and its influence finds its why in some of Ingraham’s competitor’s models. In 1860, the firm’s name changed to E. Ingraham & Company, reflecting a partnership with his son Edward. Elias died at his summer home on Martha’s Vineyard in August 1885. The business continued in various forms.
